SCHOOLS EXHIBIT - BOOTH 477
MAY 15 - 17
JACOB K. JAVITZ CONVENTION CENTER
NEW YORK, NY
SCHOOLS EXHIBIT - BOOTH 477
MAY 15 - 17
JACOB K. JAVITZ CONVENTION CENTER
NEW YORK, NY
RISD’s pedagogical framework of Critical Making invites students to nurture a project from conception to fruition, engaging in research, critical discourse, conceptual development and hands-on explorations of materials, crafts, and industrial processes. This model allows for continual touch points along the route to reconsider ideas of sourcing, equity, social value, meaningful utility, heritage, personal expression, and object making and manufacturing’s role in social and ecological harmony. This hands-on approach of experimenting with materials at full scale results in an embodied wisdom that grows and expands with every project and throughout a lifetime of practice.
The intangible yet essential value of Critical Making is that this deliberate care and intention is imbued in each project. Whether it is a one-of-a-kind artistic expression, social design or design for commerce and industry, the emotional, intellectual, physical, and creative labor of the designer informs the very DNA of each project, and the resulting objects carry the potential for a future that envisions the values and practical realities of a thriving, just, and harmonious world.
MFA 2023 FD
BFA 2022 FD
BFA 2023 FD
MFA 2022 FD
Derived from solid poplar and finished with milk paint, Blue Girl translates the idea of a chair into four pieces: two legs, one back, and a seat. The integrity of the simple construction mirrors the childhood blocks that inspired the project.
Holding an elemental and monolithic quality, the Extruded Side Tables act as an extension to the Blue Girl project. The block-like forms are blown up in scale and provide a surface for an experimental paper maché mixture, which adds an ambiguity to the recognizable forms.
BFA 2023 FD
MFA 2023 FD
BFA 2023 FD
BFA 2023 FD, PR
Cynthia’s Garden is a quilt top of handmade dyed kozo and gampi paper that explores the idea of inherited friendship and platonic love. Through the color choices, this quilt top shows two distinct bodies, earthly and celestial, that represent the artist’s mother and her friend. Their love for each other is materialized as this object, which can continue to be passed on for generations. In loving memory of Cynthia Campbell Brown, a gift of a friend.
MFA 2022 FD
The Swell Wall Hooks display our most used items. A place to hang our coats and hats, to leave our keys and wallets occasionally. The fiberglass prototype is a part of a busy and involved life beyond the home. The hooks’ formal aspects are inspired by soft swells perfect for a long surf and ventilation ducting found poking out of industrial buildings.
BFA 2022 FD
Metal Lounge is an ergonomically inviting chair. Its triangular backrest comes in snug between the shoulder blades to counteract the habitual computer posture. The backrest reclines to the weight of your upper body with no threatening feeling of material snapping. The gap between the seat and backrest lets the tailbone springback without constraints. It has an opposite tapper on the seat, getting wider as you sit back, making it look smaller but feel bigger. Suitable for both indoors and outdoors, Metal Lounge offers you a dynamic break.
BFA 2023 FD
BFA 2024 FD
15 West in the Canal is a rug-hooked and needle punched image of the Fleet Library, in Providence, RI, observed as it is reflected in the water of the canal.
organized and directed by faculty Amy Devers, Sara Ossana and Meg Callahan
graphic design by Casey Callahan
photography by Erik Gould
For press inquiries, please contact:
Jaime Marland
RISD Public Relations
401.427.6954
For information on specific works, please contact:
Marilyn Grear
Department of Furniture Design, RISD
mgrear@risd.edu